thrones_'s Profile

Account Details
SteamID64	76561198062501955
SteamID3	[U:1:102236227]
SteamID32	STEAM_0:1:51118113
Country	Canada
Signed Up	August 28, 2015
Last Posted	August 5, 2018 at 8:09 PM
Posts	287 (0.1 per day)

Account Details

SteamID64

76561198062501955

SteamID3

[U:1:102236227]

SteamID32

STEAM_0:1:51118113

Country

Canada

Signed Up

August 28, 2015

Last Posted

August 5, 2018 at 8:09 PM

Posts

287 (0.1 per day)

Game Settings
In-game Sensitivity	2.10
Windows Sensitivity
Raw Input
DPI
Resolution
Refresh Rate

Game Settings

In-game Sensitivity

2.10

Windows Sensitivity

Raw Input

DPI

Resolution

Refresh Rate

Hardware Peripherals
Mouse
Keyboard
Mousepad
Headphones
Monitor

Hardware Peripherals

Mouse

Keyboard

Mousepad

Headphones

Monitor

uberchainYour composition's pretty good. Try more background scene-building; even if you've got a nice DOF, sometimes adding more than the dude & the dude's loadout helps. Granted with loadout posters it makes sense but I really like that Spy poster where there's a Sniper and a Spy running in the background, that sort of makes it feel balanced in the sense of there is life other than the dude & the dude's loadout. Like crates, barrels, a dumptruck, more dead people - experiment around with that.

This was my early work when I started in 2013.
This is some of the most recent stuff that I've done now.

I've got more hours in SFM than I do TF2, clocking in at 4400+ and still adding hours as I type this. I relied a lot on Photoshop when I first got started because a) I didn't know SFM's UI at all and b) would have been a shame to waste the Visual Communications ACA for PS CS6 that I just graduated with. Did not learn about adjusting FOV or importing the stock animations until like a year later, and there's still things I'm learning about SFM to this day. (Like I just learned during Tip of the Hats that you could go first-person with the lights I do not pay attention or watch enough tutorials.) Eventually Photoshop stopped being as big of a crutch as it was, I've begun using it sparingly for super-imposing & post-processing after I became familiar with shit like material override strings.

Within SFM, some easy eye-candy tricks I like using that other people use are tilted cameras, DOF, rimlights & volumetric lights. Post-processing in Photoshop, I usually tend to toss on a soft filter with subtle diffuse glow, then a levels contrast boost & a subtle vignette. Sometimes I'll fiddle with selective colour or saturation/vibrance. A very miniscule amount of surface blur does wonders for all the grainy stuff (though it kills some fine facial details every now and then).

Sometimes a lot of post-processing goes into non-TF2 shit. Here's some Overwatch, Frozen & Mirror's Edge renders I did with my Before & After processes.

I collect a lot of models and props to jerry-rig together or reskin, so a couple of people have called me SFM's Dr. Frankenstein. Otherwise, I want to make things that I want to see, that I think people want to see more of, or don't want to see at all. If it doesn't exist and I want it to exist, that means I have to make it. That's probably one of the reasons that I wanted to do promotion for competitive TF2 once I had a taste of what competitive TF2 was.

Your work is amazing! Its pretty evident how much time and work you've put in and I only dream to get to the point you're at...